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At his blog, Roger Ebert has given a fascinating account of his view on the death penalty (and why he decided to write about the topic). I strongly urge you to click over here to check it out, but I will reproduce bits of it (with significant editing) below.
The following appeared in an article in The Guardian:
Twelve of the last 13 people condemned to death in Harris County, Texas were black. After Texas itself, Harris County is the national leader in its number of executions.
Over one third of Texas’s 305 death row inmates – and half of the state’s 121 black death row prisoners – are from Harris County.
One of those African Americans, Duane Buck, was sentenced based on the testimony of an expert psychologist who maintained that blacks are prone to violence. In 2008, Harris County District Attorney Chuck Rosenthal resigned after sending an email message titled ‘fatal overdose,’ featuring a photo of a black man lying on the ground surrounded by watermelons and a bucket of chicken.
White people are also executed at an efficient pace in Texas. The odds of being given the death penalty in that state are fearsome, and the chances of having your sentence overturned on appeal are dismaying. So far, Governor Rick Perry has declined to commute the sentences of 235 condemned prisoners. During Gov. George W. Bush’s time in office, Texas executed 152 prisoners, more than any other governor in modern American history, until Gov. Perry.
In 2000, Illinois Governor George Ryan, a Republican, declared a moratorium on the death penalty in Illinois, commuting 160 death sentences to life sentences. Gov. Ryan believed execution was right in the case of “heinous crimes” but noted that during his first year in office, “thirteen people were released from jail after appealing their convictions based on new evidence.” He said, “The possibility that we would be executing an innocent man made it impossible for me to sleep at night.”
Gov. Ryan’s reason for declining to enforce the death penalty is enough. Traditionally, executions have been viewed as punishment: If an eye for an eye, then why not a life for a life? In recent America, history the argument is used that they will act as a deterrent, although few murders are prevented as a result. In some cases, more people die, because if one victim is unintentionally killed in the process of a crime, more are likely to be killed to eliminate possible witnesses. The death penalty acts as a reason to kill.
Do you, do I, feel better when a killer is executed? Why should we? What good does the execution do for the killer’s victim? Do family members feel vindicated? Some do, some do not, and in any event their feelings are not a justification for public policy. If the taking of life is wrong, then it is wrong in all cases.
If an execution takes place in an atmosphere of great care and caution, there is some reason for Society to feel confident a guilty man is dying. In a state like Texas and a county like Harris, there is little reason to be sure of that. It is impossible that the judicial system functions with 100% accuracy.
Werner Herzog‘s recent documentary “Into the Abyss” concerns two young men who were in prison. Michael Perry was on Death Row in Huntsville, and on the day Mr. Herzog spoke with him, had eight days to live. Jason Burkett, his accomplice in the murders of three people, was serving a forty-year sentence. They killed because they wanted to drive a friend’s red Camaro. Why did Mr. Perry have to die but not Mr. Burkett, when both were convicted of the same crimes? In the film, Mr. Herzog speaks with Mr. Burkett’s father, Delbert, who is also in prison serving a life sentence. At his son’s trial, he blamed himself for the boy’s worthless upbringing. His regret influenced two jurors to pity the son. It was Michael Perry’s bad luck to lack an equally compelling witness. That is how death and life were meted out in Huntsville.
The most spellbinding passage in the film involves Captain Fred Allen, who was in charge of the guard detail on Huntsville’s Death Row. Cap. Allen and his detail were responsible for guarding the convicted prisoners, enforcing Death Row rules, arranging visits, serving last meals, walking with them down the Last Mile, and supervising the machinery of execution. In a few cases, the guards grew close to some prisoners.
Even though he interviewed each of his subjects on camera only once, Mr. Herzog has success in drawing them out and getting them to trust him as someone they could confide in. The director remains almost entirely off-screen, with his subjects looking directly at the camera. Cap. Allen explains that after sixteen years as a prison guard, he resigned, forfeiting all his vested interest in the state pension system. Cap. Allen’s monologue is an impassioned prose. This transcript is not directly from the movie but is very close:
I was just working in the shop and all of a sudden something just triggered in me and I started shaking. And then I walked back into the house and my wife asked ‘What’s the matter?’ and I said ‘I don’t feel good.’ And tears — uncontrollable tears — was coming out of my eyes. And she said ‘What’s the matter?’ And I said ‘I just thought about that execution that I did two days ago, and everybody else’s that I was involved with.’ And what it was something triggered within and it just – everybody — all of these executions all of a sudden all sprung forward.
It’s just like taking slides in a film projector and having a button and just pushing a button and just watching, over and over: him, him, him. I don’t know if it’s mental breakdown, I don’t know if . . . probably would be classified more as a traumatic stress, similar to what individuals in war had. You know, they’d come back from war, it might be three months, it might be two years, it might be five years, all of a sudden they relive it again, and all that has to come out. You see I can barely even talk because I’m thinking more and more of it. You know, there was just so many of ’em.
My main concern is right now is these other individuals [guards]. I hope that this doesn’t happen to them — the ones that participate, the ones that go through this procedure now. And I will say honestly — and I believe very sincerely — somewhere down the line something is going to trigger. Everybody has a stopping point. Everybody has a certain level. That’s all there is to it.”
Then Captain Fred Allen, who walked into the death chamber with more than 100 prisoners, concludes by giving voice to the strongest argument against the death penalty: “Nobody has the right to take another life.”
Via Roger Ebert’s Journal.